![]() It blew up seemingly out of nowhere in mid-’91, and kept the “More Bounce” list growing.ĢPac “Keep Ya Head Up” (1993) X Zapp “Be Alright” (1980): ‘Pac’s catalogue is practically littered with Zapp samples- more on that in a minute, though. “Ain’t No Future…” wasn’t the first time, but it was one of the best tracks to use it. As much as it’s associated with West Coast hip-hop, it’s also been sampled by East Coast artists ( EPMD, X-Clan, Heavy D), and an artist from the Midwest- Flint, Michigan‘s MC Breed. MC Breed “Ain’t No Future In Yo’ Frontin'” (1991) X Zapp “More Bounce To The Ounce” (1980): Truthfully, “More Bounce” alone could’ve gotten its own entry. Here are just four examples of the influence Zapp’s music had on hip-hop during the ’90s- Roger That! In 1999, Roger was shot and killed by his brother/bandmate Larry, who then killed himself in his car a few blocks away. One of his most notable contributions was his use of the talkbox (commonly confused with Autotune), which he used as a main part of his music. It was used so much, that while Zapp’s popularity had dropped by the mid-’90s, Roger was being asked to appear on songs by some of the artists who were using it (i.e. Roger and his four brothers dropped their debut album in 1980, and their work has since been used over and over by some of everybody, especially artists from the West Coast. In addition to noting that my iPod was lacking a lot of their music that I liked, I also had to put them down for a future “90s Loved The 80s” entry, considering how much of their music was sampled during the ’90s. This particular episode featured Zapp, the ’80s funk group headed by Roger Troutman. Support jazznblues.About a month or so ago, I happened to be on Youtube and came across an episode of TVOne‘s Unsung, the documentary show about R&B artists of the ’70s and ’80s whose stories have rarely been told. Powered by phpBB® Forum Software © phpBB Limited We want to say thanks for all who supports our site. After all you can support our site and make your downloading process faster by buying premium account for FileCat. So you can choose the music genre and then singer or band. Jazz and blues mp3 archives are shown on the landing page. And, of course, the fans of jazz can also download on this site jazz music on their PC, smartphones and other gadgets. You can download here blues music in few minutes. And this is really so, someone likes pop, someone likes rock, and here are people, that like jazz and blues. If you have some questions or proposals for better future and development of our site – please click “Contact us” and leave a message.Īs old Latin proverb says: “how many people, so many tastes”. We offer to you blues and jazz mp3 on one website and the main our feature is - without other music genres and without advertisement. The synth-based sound also served Troutman well on the mid-'80s solo hit "In the Mix" and Zapp's ballad "Computer Love." As the Zapp never did regain its commercial footing by the late '80s, Roger fared better solo and turned in the romantic ballad and surprise hit "I Wanna Be Your Man." All The Great Hits diminishes its appeal by adding disposable tracks like "Curiosity '93 (Remix)" and the live "Midnight Hour-Live '93 (Remix)." While the hits are indeed here, a fan could just as easily obtain a 1980-84 album of Zapp or Roger to get a better sense of the importance of the music.įirst of all, we are grateful for visiting our website. Zapp's 1983 near-classic "Heartbreaker 1 and 2" still amazes with its minimal, lean sound. ![]() Tracks from Roger Troutman's solo debut, like the great "Do It Roger" and a cover of "Heard It Through the Grapevine," seemed to sap the strength from the Zapp name, although the band was on them too. Zapp's first hit, "More Bounce to the Ounce" with it's hard-hitting funk with jazzy underpinnings, set the template. While both Zapp and Roger had enough hits to make separate greatest hits compilations, All the Greatest Hits works well due to the song inclusions and the level of skill. Zapp, unlike the other P-Funk units, had their own personality divorced from George Clinton, so much so a listener might not get the connection unless they read the album notes. This Dayton, OH, band came to typify swinging, effervescent, and melodic funk in an era when Parliament, Funkadelic, and other outfits were getting bogged down and burned out.
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